Resonancedj | "Vago (EP)” SR157

Type: mp3
Location: Italy
Date: 2017
Tracks: 4
Genre: turntableism, phat bass, lonelyness, rave, glitch, ambient
Section: White

Free download

Deep 3D turntables spinning like a phat bitch in abandoned mall rave, under the supervision of starless skies and comatose dreams of adulthood.

Our albums are under Creative Commons License






Ibuki Fkuda | "Futurism” SR153

Type: mp3
Location: Japan
Date: 2016
Tracks: 2
Genre: Ambient, synthetic, digital beaches, virtual pets transfigured into another, syncing terminals from opposite sides of dry rivers.
Section: White

Free download

New age ambient, drenched in neon light and digitally animated 90s empty reception rooms. Flying sedans still in the sky, waiting for the future to happen and for anyone to notice.

Our albums are under Creative Commons License






Alessandro Dinetti | "251” SR153

Type: mp3
Location: Italy
Date: 2016
Tracks: 11
Genre: Drone and minimalism, underground currents of data, servers behind abandoned waterfalls, malls and dreams on sale, data farming in the desert, talking to strangers who were not supposed to be aware...
Section: White

Free download

"251. Some tunes. Always the same."

Our albums are under Creative Commons License






Chris Silver T | "POTone” SR148

Type: WAV
Location: Greece
Date: 2016
Tracks: 1
Genre: field recordings - objet trouvé - drone
Section: white

Free download

Chris Silver T - field recordings, electronics, objects / Cover design by neta

POTone is nothing more than a combination of sounds, frequencies and rhythm patterns that suddenly emerged and grabbed my attention one morning as I was washing my coffee pot in the sink.


Our albums are under Creative Commons License






Remo De Vico | "Five Door Handles” SR137

Type: mp3 / wav
Location: Italy
Date: 2016
Tracks: 5
Genre: experimental - contemporary - avantgarde
Section: white

Free download MP3 version

Free download WAV version

A collection of musical works between 2013 and 2015.

All tracks composed by Remo De Vico.

Credits:
Voice: Fil Mama, guitar: Jacopo Solari, bass: Dario Piccioni on 1."The road to Machu Picchu" /
synthesizers: Alessandro Rizzo, soundscape: Alessandro Ratoci, distort trumpet: Brandon Rizzo on 3."Nemeton" / samples by Musique de la Grece antique, Atrium Musicae de Madrid, dir. Gregorio Paniagua (1979) on 4."Kikeon" / synthesizers and editing: Mattia Biondi on 5."Little revelation"

Artwork: "Portato Via", by Denis Riva.
Natural yeast on paper, 20cm x 20cm


Our albums are under Creative Commons License






Hado Navarro | "Moebius Dancinstruent” SR109

Type: mp3
Location: Argentina
Date: 2013
Duration: 00:19:37
Track: 1
Genre: experimental - dance - body as generator of sound
Section: white

Free download

"The idea was make a song with the sounds of dancing bodies, where the movement of the dance generates the sounds to dance to and the danced sound is another movement sounding itself, and so on, in a cyclical manner. An allusion to instruments of the future where the body is the generator of sounds: play, music and dance are the same thing.

Our albums are under Creative Commons License






INDN WAR DRUMS | "São Nicolau” SR087

Type: wav - Released together with HYSM?
Location: Italy
Date: 2013
Duration: 00:24:16
Track: 1
Genre: free improvisation - melodies of tribe wars
Section: white

Free download

Indn war drums is hot water descending from ancient mountains, green and orange lights dancing in a sleepy african morning. The trip in São Nicolau explains these sensations. It is like being naked in Cabo Verde, swinging on your self, feeling free and in peace with the environment, laughing with friends and be ready to hug the universe.

Our albums are under Creative Commons License






Nitwit | "Are You Sure This Is Sound” SR075

Type: mp3
Location: Italy
Date: 2012
Duration: 00:09:00
Track: 4
Genre: damp
Section: white

Free download

Nitwit's come back. The sheer uneasiness of awkwardness.

Our albums are under Creative Commons License






Le Cose Bianche | "2008-2011: Parte Seconda” SR058

Type: mp3
Location: Italy
Date: 2008-2011
Duration: 00:31:00
Track: 9
Genre: industrial horrors, mechanical violence, survivors of a postapocaliptic world turned into brutal punks, motorcycle gangs wandering in atomic deserts, basements full of toys and porn, and dead bodies of women found in the trash, rotten keyboards swarming with radioactive maggots, rape, pussy, a suburban cinema when there's nothing to be watched but the stale smell of 70es popcorn and decay...
Section: white

Free download

This disc collects a selection of the best reasoned philological repertoire produced by LCB in these three years. You can find older songs and experimental pieces mixed with the latest openings far more lyrical sound. A real milkshake sounds.

Our albums are under Creative Commons License






Polvere In Cantina | "Polvere In Cantina” SR046

Type: mp3
Location: Italy - Germany
Date: 2011
Duration: 01:01:09
Track: 12
Genre: octapad, theremin, trombone, flute, desolated improvisations in the dusty basement of a room shut for so long
Section: white

Free download

la musica si riferisce estremamente alla sperimentazione elettronica ed indeterminatezza musicale come rifiuto della concezione della musica come suono organizzato.
i brani sono composti da microtonalità ed accenni jazz.

The music extremely refers to electronic experimentation and musical indefinability, as a refusal of the conception of music as an organized sound.
The tracks are composed by microtonalities and jazz hints.

Our albums are under Creative Commons License





NITWIT | "Constant State Of Panic” SR042

Type: mp3
Location: Italy
Date: 2011
Duration: 00:14:55
Track: 7
Genre: cut-up; loops: a thankful reminder of how grateful we are for today's bread
Section: white

Free download

Our albums are under Creative Commons License





NITWIT | "I'm a Bug” SR036

Type: mp3
Location: Italy
Date: 2011
Duration: 00:11:52
Track: 6
Genre: field recordings and sounds from a place far away, when the self turns into nothingness
Section: white

Free download

Our albums are under Creative Commons License





NITWIT| "Fuck My Romagna” SR026

Type: CD
Location: Italy
Date: 2011
Duration: 00:15:45
Track: 6
Genre: old school industrial hate
Section: white

Free download

Our albums are under Creative Commons License


Austin Smith/SLP | "The Dissolution of the Cube” SR016

Type: CD
Location: Italy/USA
Date: 2010
Duration: 00:39:52
Track: 6
Genre: harsh noise
Section: white

Free download

Our albums are under Creative Commons License


NITWIT | "#2” SR010

Type: CD
Location: Italy
Date: 2010
Duration: 00:19:04
Track: 6
Genre: industrial
Section: white

Free download

Our albums are under Creative Commons License


NITWIT | "V.L.F.” SR009

Type: CD
Location: Italy
Date: 2010
Duration: 00:28:09
Track: 13
Genre: industrial
Section: white

Free download

Our albums are under Creative Commons License






SLP | "La Vita Agra” SR008

Type: CD
Location: Italy
Date: 2009
Duration: 00:40:09
Track: 3
Genre: noise
Section: white

Free download

As the origination of the dead sense was accumulating its power of determination on every sense of being in process, superflously tending on imposing itself as a reigning utopia of total fictitious sense, the universe of objects, concrete crystallizations of the dead sense, sense-things in being against the live sense in process, it verified together with the immensity of its own quantitive extension - the "actual" produced and determined more and more - and negatively, the immense vacuity of its own dominion regarding the constantly eluded value, never reciprocated: the "value" of the being that accomplishes itself in its moment. So much that, around the nucleus of its own negated corporeality the siege of "objects" has nailed itself where the sense of fictitiousness actualizes itself. And still the less, the live sense takes place and has the opportunity of comparing itself in the being, more and more tending towards dying apocalyptically or to overturn insurrectionally the mortal glaciation of the thingness "grip". As it is impeded to the being to accomplish itself if not in the ways of being more and more automized and rapidly obsolete in which it recognizes itself as immediately betrayed, nothing can restrain him any longer from finally measuring itself with its own instant "value" and expect to realize it immediately. The collapse of the "money" objects, figures of a rapid inflation, fictitious representations of being indirect in seeming, is more profound and irreversible as it accelerates, like mints of a state in ruins, the frantic emission of for ever measures of value. When practicable hope will no longer exist, between one and the other production time of the fictitious, then the global insolvency of the fictitious will reveal itself openly as the last wall to tear down before the body of the species conquers the dimension of its own essence.
(Giorgio Cesarano, Critique of the Capital Utopia)


"Mano a mano che la produzione di senso morto andava accumulando il proprio potere di determinazione su ogni senso dell'essere in processo, tendendo inutilmente a imporsi quale utopia regnante del senso fittizio totale, l'universo degli oggetti, cristallizzazioni concrete del senso morto, sensi-cose in atto contro il senso vivo in processo, verificava insieme l'immensità della propria estensione quantitativa - il 'reale' sempre più prodotto, sempre più determinato e determinante - e, per negativo, l'immensa vacuità del proprio dominio rispetto al valore costantemente eluso, mai corrisposto: il 'valore' dell'essere che si realizza nel suo istante. Tanto più attorno al nucleo della propria corporeità negata si è infittito l'assedio degli 'oggetti' in cui si realizza il senso fittizio, tanto meno il senso vivo ha luogo e modo di riscontrarsi nell'essere, sempre più è portato a morire, apocalitticamente, o a ribaltare insurrezionalmente la glaciazione mortale della stretta 'cosale'. A mano a mano che all'essere è impedito di realizzarsi se non nei modi d'essere sempre più atomizzati e rapidamente obsolescenti in cui si riconosce immediatamente tradito, niente può più trattenerlo dal misurarsi finalmente con il proprio 'valore' istante e pretendere di realizzarlo immediatamente. Il collasso degli oggetti 'monete', figure del valore in rapida inflazione, rappresentazioni fittizie dell'essere mediate nel sembrare, è tanto più profondo e irreversibile quanto più accelera, come le zecche di uno stato in dissesto, l'emissione frenetica di sempre nuove misure del valore. Quando nessuno spiraglio più esisterà, praticabile, tra l'uno e l'altro tempo di produzione del fittizio, allora l'insolvenza globale del fittizio si svelerà manifestamente come l'ultimo muro da abbattere prima che il corpo della specie conquisti la dimensione della propria essenza." (Giogio Cesarano, critica dell'utopia capitale)

Our albums are under Creative Commons License