DBPIT | “Alien RemiXes” - SR227
Type: mp3 |
eight remixes of oldies & goldies by DBPIT, plus a re-release of his first ever dance track (Bekyrap, the odd-man-out) and a newly made one, out of bits & pieces from different songs – some of which have never made it to a release before (Flotsam & Jetsam).
Spettro Records 227
GattoAlieno GA 18
2020
Cover photo and artwork layout: Flavio Derbekannte
Special thanks to KimsonJa [intro and outro vocals on Flotsam & Jetsam], Arianna/XxeNa,
Spettro Recs, the Great Y-Circus and Electronomicon, IFAR, Deserted Factory, Stahlwerk Radio, Arte Nel Rumore netlabel, Lyke Wake, Giacomo DJ Elettrodo.
Credits:
released November 14, 2020
music by DBPIT
Cover photo and art: Flavio Derbekannte
labels: Spettro Records - Gatto Alieno
Our albums are under Creative Commons License
Asylum Connection | “Grey Worlds Fill Empty Words” - SR223
Type: mp3
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Asylum Connection is:
"A long time to fight the self-destructive spirit. And then one day I put myself aside and I left him free, free to express himself, to move objects, to bring sounds where he wanted. Not me against myself, but me together with the most intolerant part of my spirit. Together we create these sounds and visions."
Credits:
all music by Asylum Connection
Artwork by:
Akis Karanos
Our albums are under Creative Commons License
DBPIT | “isolaCtion” SR211
Type: mp3 |
here comes 'IsolaCtion', a collection of seven electronic tracks with an industrial 'hue' to dance the quarantine away.
Credits:
all synth and trumpet by DBPIT
artwork: Arianna Degni Lombardo
Our albums are under Creative Commons License
Kokkala | “Antifantasioviosi” - SR117
Type: Tape + Digital copy on Bandcamp |
is a rock opera of insufficiency, a Modus ponens of anarchic composition, true punk attitude and insignificant intentions.
audio.
Playing with the banality of a pop rock "hit" and the idea of creating art in order to be absorbed, praised, welcome, bought,
'Liked' in general,
deforming it's structure, replacing guitar solos with commercial cultural elements,
vocals with wind burns, heart warming catchy lyrics with field recordings of situations, melody with absurdness,
using arythmic drum sequences, keyboards played with feet while breaking eggs, recording sessions
disrupted by friends calling via mobile phones and poetic titles, the "against" now "becomes".
A travesty of audio pop culture aesthetics -a travesty as an entity, a beautiful unruly rich alive, playful entity who doesn't
conform.
Tumblr
All recordings took place July and August 2014 in Thessaloniki and mountain Olympus Greece.
Akis Karanos ( Tumblr )
Voula Frasiola
guests: George Zahos
Anestits Tetsuo
Our albums are under Creative Commons License
SLP | "Emperor Tomato Ketchup" - SR110
( E008 on Toxic Industries )
Type: cd-r ( limited edition of 40 copies, all hand made, and different ) |
Free download
Co-released with Toxic Industries.
Emperor Tomato Ketchup is a 1971 Japanese experimental film by poet, artist and director Terayama Shuji (1935 – 1983).
A revolutionary brigade of children overthrow the adults and their reign, and a young boy is made Emperor of a new world order. Any hope of change is soon shattered. The children repeat all the mistakes their fathers made, and violence, rape and abuse are inevitable. Enslaved, mothers are turned into prostitutes, “I seduce my mommy and I become my daddy”, is the scarred intent of the new youthful despot. The perpetual cycle of oppression is left unchanged.
Originally, its soundtrack was composed by J. A. Seazer, but the music you are about to listen to is a free interpretation by Italian noise musician SLP. It was first and only performed in Cagliari, Italy, on 16th February 2013, at "Solo Il Mio Nero" noise and film festival.
Our albums are under Creative Commons License.
Umanzuki | “Sonic Birds” SR074
Type: mp3 | |
Sonic Birds e? il secondo EP della band , (registrato da G. Caputo al fromscratch studio) e fa segnare una piccola rivoluzione nel sound. Messi un po? da parte gli stilemi jazz core, in sonic birds Umanzuki esplorano territori psichedelici e rarefatti. Si approcciano alla forma canzone, la destrutturano e ne tirano fuori melodie trasognanti che navigano su tappeti ritmici free form.
Second EP by the band, it marks a small revolution in style. Less jazz-corish, more psychedelic ecstatic landscapes. They approach the song format, de-structure it and grow dreamy melodies, sailing on free form rhythmic oceans. Sonic birds e' uscito in free download e cdr per una cordata di etichette :
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Our albums are under Creative Commons License
Kenji Siratori | “Digital Animal Structure” SR043
Type: mp3 | |
A creature awaiting for us. Artwork by Giancarlo Morieri.
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Our albums are under Creative Commons License
Sinapsi | “Come Realtà” SR039
Type: mp3 | |
Classic and lyrical post-rock, as it was meant to be, honest, and tragic altogether. You can also buy a "physical" copy by emailing them directly at gibson1982@libero.it .
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Our albums are under Creative Commons License
QWE | “MAUNDER: ACOUSTICS” SR028
Type: mp3 | |
A collection of tracks made using acoustic stringed instruments (guitars, ukulele, psaltery, homemade instruments...).
Tracks recorded between 2006 and 2011. Dedicated to Jaymes Darvid Gebhaste. Credits: Most of these were recorded and uploaded as 32bit 48khz, but some were recorded at 16bit 44.1khz. "Guitar Rain" is somewhat of a trans-code from mp3 as the original file is gone. |
Our albums are under Creative Commons License
Il Culto dell'Annientamento | “Mentre il Mondo Cadeva a Pezzi a Nessuno Importava Granché” SR013
Type: mp3 | |
20's as a WWII prelude, European fascism rise, spreading antisemitism, Weimar's republic, the rationalism. No one cared, they danced to Charleston. Inspired by The Age of Extremes: The Short Twentieth Century, 1914-1991 and by Adorno's Dialectic of Enlightenment as well as by Gelso Nero's visual works. Samples are slowly submerged by electronics, the fin de siecle dance shows its deep monstruosity. Play LOUD Gli anni 20 come preludio alla seconda guerra mondiale, l'ascesa dei fascismi europei, l'antisemitismo dilagante, la repubblica di Weimar, il razionalismo. Di tutto questo a pochi importava, si ballava il charleston. Ispirato ad una rilettura de Il Secolo Breve e della Dialettica dell'illuminismo oltre che dai lavori visivi di Gelso Nero. |
Our albums are under Creative Commons License
Derek Dick Decio | “Cubo di Bamba” SR002
Type: CDr | |
Guy Debord appears in the introduction of the disc with a few commentaries for a movie. The interpretation of Derek's cd is the uncapability of self-achievement, collective and universal. The language of the disc; crude, horrific, violent, at times stupid but never banal casts us in the world of D.D.D. consisting in suffering, joy, illusions, dreams. A world which speaks about the transience of being, of life itself of drugs as the only way out of a standardized society. The only way out of this pile of shit. Derek Dick Decio is an integral part of his disc. Accompanied by Mister Drey's patterns (Laptop/Drum machine), in featuring with Nicola Boari (Salomè Lp and SLP) Derek distorts the traditional rules of Italian hip hop, which has by now become just commercial music for teen guzzlers. By emptying out its "gangsta" content Derek intends not to stay above its beat (bit) but downright to enter in it. Metrics which are almost spoken assume a "ferrettiano" tone, giving ample space to the contents, catapulting the listener in a claustrophobic and oppressive atmosphere made of dirty, artificial, repetitive sounds up to the most classic hip hop. Voice and metrics inspired by one of the forerunners of the old Italian school "Kaos One", In his style, cut and mostly in the content of rap, Derek moves away from Kaos. The project begins in 2009; the interpreters, that is, Mister Drey (ex Salomè Lego Playset) and Derek have very similar musical views even if they are users of rather different genres. All the bases are Mr. Drey's except for "Ratto: il giorno della vergogna" and "Minestra Freddata" which are played by Susanna Laterza; the arrangements of "L' ora del candore" are by Susanna Laterza; SLP wrote the lyrics to "La Caduta degli Dei" and "Bright Future"; and plays the guitars in "La Caduta degli Dei" besides singing in "Sacro Graal" and "Il Giorno dell' Infausto" and Tona sings the refrain to "Il Giorno del Candore".
Tutte le basi sono di Mr.Drey, tranne "il giorno della vergogna" e "Minestra Freddata" suonate da Susanna Laterza; gli arrangiamenti de "L'ora del candore" sono di Susanna Laterza; Nicola Boari suona le chitarre in "La caduta degli dei". |
Our albums are under Creative Commons License